Bach Bibliography Search Result |
Series : ^[p]BNUK_Oxford$Your search has generated the following results ...
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Type | List | Title[further info] | Series | Vol | No | Year | Pages | Status |
---|---|---|---|---|---|---|---|---|
1. | One more time: Bach and Seventeenth-Century Traditions of Rhetoric. | [p]BNUK_Oxford | ||||||
2. | Collections, bars and numbers: Analytical coincidence or Bach's design? | [p]BNUK_Oxford | ||||||
3. | Could the Thomaskantor Bach have been Allowed to Compose an Opera? | [p]BNUK_Oxford | ||||||
4. | Under the Spell of Opera? - Bach's Oratorio Trilogy of 1734-35. | [p]BNUK_Oxford | ||||||
5. | Passion and Drama in German Literature. | [p]BNUK_Oxford | ||||||
6. | The Dramaturgy of Religious Emotions in Bach's Cantatas: Aristotelian Processes in Neo-Platonic Frames. | [p]BNUK_Oxford | ||||||
7. | Bach and the Spirit of Music Drama. | [p]BNUK_Oxford | ||||||
8. | Recent Discoveries in St. Petersburg and their Meaning for Understanding Bach. | [p]BNUK_Oxford | ||||||
9. | Theological inferences drawn from Bach's cantata texts. | [p]BNUK_Oxford | ||||||
10. | The 'hybrid' recitatives of JS Bach. | [p]BNUK_Oxford | ||||||
11. | 'His superior ideas are the consequences of those inferior ones': Influence and Independence in Bach's Early Creative Development. | [p]BNUK_Oxford | ||||||
12. | Bach materials in the Berlin Sing-Akademie: a preliminary stock-taking. | [p]BNUK_Oxford | ||||||
13. | Performance and Reception of Bach's Matthew Passion in Berlin, 1829. | [p]BNUK_Oxford | ||||||
14. | An Early English Imprint of the B minor 'Crucifixus'. | [p]BNUK_Oxford | ||||||
15. | Nineteenth-Century Legacy Projected onto the Twenty First: A German-Israeli Dialogue on Bach's Passions. | [p]BNUK_Oxford | ||||||
16. | Anna Magdalena as Bach's Copyist. | [p]BNUK_Oxford | ||||||
17. | Bach: Luther's Musical Prophet? | [p]BNUK_Oxford | ||||||
18. | The 'Weimar Organ Tablature': Bach's Earliest Autographs. | [p]BNUK_Oxford | ||||||
19. | The musician-novels of the German Baroque: new perspectives on Bach's world. | [p]BNUK_Oxford | ||||||
20. | Bach's Chamber Music with Flute: a 'hands-on' approach to fact and fiction. | [p]BNUK_Oxford | ||||||
21. | The Sound-Coded Politics: on the Cantata Tönet, ihr Pauken BWV 214 by Johann Sebastian Bach. | [p]BNUK_Oxford | ||||||
22. | 'Ways to Bach'. | [p]BNUK_Oxford | ||||||
23. | Musical Drama in the Coffee Garden: Nature, Mythology and Morality in J.S. Bach's Secular Cantatas. | [p]BNUK_Oxford | ||||||
24. | Buttstett-Mattheson dispute and its implication for Bach Studies. | [p]BNUK_Oxford |